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Jun
7, 2005 - by Doug Edge
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| Forewords |
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I test quite a few audio interfaces and many seem to be all
around the same level of quality with respect to price, latency
performance, and sound quality of the converters themselves.
There are a few types of interfaces available that really seem
to separate themselves; one group is the incredible conversion
quality and low latency performance of interfaces like the RME
FireFace—but this is not the most inexpensive unit out there.
The other group is high quality interfaces that sound good,
perform really well, and have a great price. In my opinion,
Presonus is the one leading the charge on this front and their
new FireBox clearly demonstrates this.
Just to get my point across early, let me describe setting up
the FireBox with my G5. Open box, plug Firewire cable from FireBox
to computer, select FireBox in Audio MIDI Setup, DONE! The FireBox
is bus powered and so there is no need to even turn it on –just
connect your Firewire cable. The FireBox does come with a power
supply though which you may need if your computer uses the 4-pin
Firewire connector, as it is the 6-pin configuration that allows
for powering up peripheral devices.
One of the reasons the FireBox is so dead simple in my setup
is that it is a Class Compliant device. My Mac (running 10.3.7)
automatically detects the FireBox and it is ready to go. Some
may say that the lack of "true" dedicated drivers could cause
latency problems with Class Compliant audio interfaces, but
as you will read below that is not a problem in the case of
the FireBox. That's not to say you don't get any software for
the FireBox. Two applications, FireBox Control and FireBox Mixer
are included, as well as a version of Cubase SE, more on those
later.
| What
Do I Get? |
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The FireBox has two mic pre's with a phantom power select. These
are Neutrik Combo Jacks allowing you to connect a Mic, Line,
or Instrument input with two respective gain controls on the
front panel. The mic pre's allow for 22 dBu of headroom. There
are also two inputs on the back (labeled 3 and 4) adding up
to four total inputs for AD conversion.

The front panel has knobs for Main Out volume and Headphone
volume. In an ode to Spinal Tap, you can turn the Phones Level
all the way up to 11, making it louder than any other headphone
amp on the market (Umm, in case anyone disagrees, this was
meant as a joke). In all seriousness, the headphone output
is very loud and would be great for DJ's looking to Cue their
mix or next breakbeat. Another great feature is that the phones
can be set to monitor any of the outputs, which is great for
setting up a private Cue mix in a program like Ableton Live.
The front panel also has a Clip Indicator light, this doesn't
allow for accurate monitoring of your signal (you can do that
from the software), but will tell you when you are clipping
the inputs. While more signal level LED's would be great,
the portable and compact size of the FireBox just doesn't
allow for this. Lastly, the knobs on the front panel are the
standard Presonus blue knobs like those found on the Eureka,
FirePod, etc. They are a bit small for my taste, but they
feel much better than most knobs.

You also get a surprising number of outputs for such a compact
interface. You have two main outs (1 & 2) for connecting
to your monitors, as well as 4 other outputs for sending submixes
or specific tracks out to external signal processing gear,
etc. All the outputs are via 1/4" jacks. On top of this you
also have S/PDIF digital I/O and a 1x1 MIDI I/O via a breakout
connector.
| Take
It With You |
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Like all Presonus gear the FireBox feels as sturdy as a brick.
I only have two minor complaints. First, I wish the brushed
aluminum look of the front and side panels continued on the
top. As it is now you have about an inch of the brushed aluminum
on top and the rest is a standard black metal. The reason behind
this is probably two fold: one, it saves on costs, and two it
allows you to easily stack other Presonus gear like their Tube
Pre right on top. My second complaint is that the 1/4" jacks
on the back are not recessed, or flush with the interface. They
stick out a bit and have a plastic washer/nut that can be twisted
off. I call both of these minor complaints because neither one
actually hinders the reliability or ruggedness of the FireBox,
and are more of my own "aesthetic" opinion.
| Performance |
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Just like my experience with the Presonus FirePod, the FireBox
did not disappoint when it came to latency. For example, I was
able to get latency settings in Ableton Live of 2ms or 32 samples
with no pops or clicks at a sample rate of 44.1kHz. If you like
to monitor your live inputs with software plug-ins than the
low-latency of the FireBox will serve you well.
| Software
For Your Hardware |
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Presonus has added two small applications to work with your
FireBox. The first is FireBox Control—a small single window
app that lets you boost the 4 inputs by 12dB. The second is
FireBox Mixer, another single window app that lets you monitor
your software playback and direct monitor your input signals
coming into the FireBox for zero-latency monitoring. The mixer
is clearly laid out, simple, and also lets you route different
output pairs to your headphones, which is great for cueing up
tracks and samples. FireBox Mixer allows you to save and load
various mixer settings via presets. If you don't have any DAW
software you'll be happy to hear that the FireBox also ships
with Cubase LE.
| Conclusion |
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The FireBox is a simple, compact, bus-powered FireWire interface
with just the right amount of I/O for most location recording/performing
needs. While it doesn't have a bunch of bells and whistles it
does have flexible routing, low latency, quality construction,
and a great sound, which is exactly what you need when traveling
around and gigging. It would be equally useful in a home setup
for anyone who is looking for great quality and price, but doesn't
need the standard 8 In/8 Out rack interface. If you have been
waiting for a great compact Firewire interface for your laptop,
look no further.
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